Ray Bradbury. The Murderer
Music moved with him in the white halls. He passed an office door: "The
Merry Widow Waltz." Another door: "Afternoon of a Faun." A third: "Kiss Me
Again." He turned into a cross corridor: "The Sword Dance" buried him in
cymbals, drums, pots, pans, knives, forks, thunder, and tin lightning. All
washed away as he hurried through an anteroom where a secretary sat nicely
stunned by Beethoven's Fifth. He moved himself before her eyes like a hand, she
didn't see him.
His wrist radio buzzed.
"This is Lee, Dad. Don't forget about my allowance."
"Yes, son, yes. I'm busy."
"Just didn't want you to forget, Dad," said the wrist radio. Tchaikovsky's
"Romeo anil Juliet" swarmed about the voice and flushed into the long halls.
The psychiatrist moved in the beehive of offices, in the cross-pollination
of themes, Stravinsky mating with Bach, Haydn unsuccessfully repulsing
Rachmaninoff, Schubert slain by Duke Ellington. He nodded to the humming
secretaries and the whistling doctors, fresh to their morning work. At his
office he checked a few papers with his stenographer, who sang under her breath,
then phoned the police captain upstairs. A few minutes later a red light hunked,
a voice said from the ceiling:
"Prisoner delivered to Interview Chamber Nine."
He unlocked the chamber door, stepped in, heard the door lock behind him.
"Go away," said the prisoner, smiling.
The psychiatrist was shocked by that smile. A very sunny, pleasant warm
thing, a thing that shed bright light upon the room. Dawn among the dark hills.
High noon at midnight, that smile. The blue eyes sparkled serenely above that
display of self-assured dentistry.
"I'm here to help you," said the psychiatrist, frowning. Something was
wrong with the room. He had hesitated the moment he entered. He glanced around.
The prisoner laughed. "If you're wondering why it's so quiet in here, I just
kicked the radio to death."
Violent, thought the doctor.
The prisoner read this thought, smiled, put out a gentle hand. "No, only to
machines that yak-yak-yak."
Bits of the wall radio's tubes and wires lay on the gray carpeting.
Ignoring these, feeling that smile upon him like a heat lamp, the psychiatrist
sat across from his patient in the unusual silence which was like the gathering
of a storm.
"You're Mr. Albert Brock, who calls himself The Murderer?"
Brock nodded pleasantly. "Before we start...." He moved quietly and quickly
to detach the wrist radio from the doctor's arm. He tucked it in his teeth like
a walnut, gritted and heard it crack, banded it back to the appalled
psychiatrist as if he had done them both a favor. "That's better."
The psychiatrist stared at the ruined machine. "You're running up quite a
"I don't care," smiled the patient. "As the old song goes: "Don't Care What
Happens to Me!" He hummed it.
The psychiatrist said: "Shall we start?"
"Fine. The first victim, or one of the first, was my telephone. Murder most
foul. I shoved it in the kitchen Insinkerator! Stopped the disposal unit in
mid-swallow. Poor thing strangled to death. After that I shot the television
The psychiatrist said, "Mmm."
"Fired six shots right through the cathode. Made a beautiful tinkling
crash, like a dropped chandelier."
"Thanks, I always dreamt of being a writer."
"Suppose you tell me when you first began to hate the telephone."
"It frightened me as a child. Uncle of mine called it the Ghost Machine.
Voices without bodies. Scared the living hell out of me. Later in life I was
never comfortable. Seemed to me a phone was an impersonal instrument. If it
_felt_ like it, it let your personality go through its wires. If it didn't
_want_ to, it just drained your personality away until what slipped through at
the other end was some cold fish of a voice all steel, copper, plastic, no
warmth, no reality. It's easy to say the wrong thing on telephones; the
telephone changes your meaning on you. First thing you know, you've made an
enemy. Then, of course, the telephone's such a _convenient_ thing; it just sits
there and _demands_ you call someone who doesn't want to be called. Friends were
always calling, calling, calling me. Hell, I hadn't any time of my own. When it
wasn't the telephone it was the television, the radio, the phonograph. When it
wasn't the television or radio or the phonograph it was motion pictures at the
corner theater, motion pictures projected, with commercials on low-lying cumulus
clouds. It doesn't rain rain any more, it rains soapsuds. When it wasn't
High-Fly Cloud advertisements, it was music by Mozzek in every restaurant; music
and commercials on the busses I rode to work. When it wasn't music, it was
inter-office communications, and my horror chambers of a radio wrist watch on
which my friends and my wife phoned every five minutes. What is there about such
'conveniences' that makes them so _temptingly_ convenient? The average man
thinks? Here I am, time on my hands, and there on my wrist is a wrist telephone,
so why not just buzz old Joe up, eh? "Hello, hello!" I love my friends, my wife,
humanity, very much, but when one minute my wife calls to say, 'Where are you
_now_ dear?' and a friend calls and says, 'Got the best off-color joke to tell
you. Seems there was a guy -' And a stranger calls and cries out, 'This is the
Find-Fax Poll. What gum are you chewing at this very _instant_!' Well!"
"How did you feel during the week?"
"The fuse lit. On the edge of the cliff. That same afternoon I did what I
did at the office."
"I poured a paper cup of water into the intercommunications system."
The psychiatrist wrote on his pad.
"And the system shorted?"
"Beautifully! The Fourth of July on wheels! My God, stenographers ran
around looking _lost_! What an uproar!"
"Felt better temporarily, eh?"
"Fine! Then I got the idea at noon of stamping my wrist radio on the
sidewalk. A shrill voice was just yelling out of it at me, 'This is People's
Poll Number Nine. What did you eat for lunch?' when I kicked the Jesus out of
the wrist radio!"
"Felt even _better_, eh?"
"It _grew_ on me!" Brock rubbed his hands together. "Why didn't I start a
solitary revolution, deliver man from certain 'conveniences'? 'Convenient for
whom?' I cried. Convenient for friends: 'Hey, Al, thought I'd call you from the
locker room out here at Green Hills. Just made a sockdolager hole in one! A hole
in one, Al! A _beautiful_ day. Having a shot of whiskey now. Thought you'd want
to know, Al!' Convenient for my office, so when I'm in the field with my radio
car there's no moment when I'm not in touch. In _touch_! _There's_ a slimy
phrase. Touch, hell. _Gripped!_ Pawed, rather. Mauled and massaged and pounded
by FM voices. You can't leave your car without checking in: 'Have stopped to
visit gas-station men's room.' 'Okay, Brock, step on it!' 'Brock, what _took_
you so long?' 'Sorry, sir.' 'Watch it next time, Brock.' 'Yes, sir!' So, do you
know what I did, Doctor? I bought a quart of French chocolate ice cream and
spooned it into the car radio transmitter."
"Was there any _special_ reason for selecting French chocolate ice cream to
spoon into the broadcasting unit?"
Brock thought about it and smiled. "It's my favorite flavor."
"Oh," said the doctor.
"I figured, hell, what's good enough, for me is good enough for the radio
"What made you think of spooning _ice cream_ into the radio?"
"It was a hot day."
The doctor paused.
"And what happened next?"
"Silence happened next. God, it was _beautiful_. That car radio cackling
all day. Brock go here. Brock go there. Brock check in. Brock check out, okay
Brock, hour lunch, Brock, lunch over, Brock, Brock, Brock. Well, that silence
was like putting ice cream in my ears."
"You seem to like ice cream a lot."
"I just rode around feeling of the silence. It's a big bolt of the nicest,
softest flannel ever made. Silence. A whole hour of it. I just sat in my car,
smiling, feeling of that flannel with my ears. I felt _drunk_ with Freedom!"
"Then I got the idea of the portable diathermy machine. I rented one, took
it on the bus going home that night. There sat all the tired commuters with
their wrist radios, talking to their wives, saying, 'Now I'm at Forty-third, now
I am at Forty-fourth, here I am at Forty-ninth, now turning at Sixty-first.' One
husband cursing, 'Well, get _out_ of that bar, damn it, and get home and get
dinner started, I'm at Seventieth!' And the transitsystem radio playing 'Tales
from the Vienna Woods,' a canary singing words about a first-rate wheat cereal.
Then I switched on my diathermy! Static! Interference! All wives cut off from
husbands grousing about a hard day at the office. All husbands cut off from
wives who had just seen their children break a window! The 'Vienna Woods'
chopped down, the canary mangled! _Silence!_ A terrible, unexpected silence. The
bus inhabitants faced with having to converse with each other. Panic! Sheer,
"The police seized you?"
"The bus _had_ to stop. After all, the music _was_ being scrambled,
husbands and wives _were_ out of touch with reality. Pandemonium, riot, and
chaos. Squirrels chattering in cages! A trouble unit arrived, triangulated on me
instantly, had me reprimanded, fined, and home, minus my diathermy machine, in
"Mr. Brock, may I suggest that so far your whole pattern here is not
very-practical? If you didn't like transit radios or office radios or car
business radios, why didn't you join a fraternity of radio haters, start
petitions, get legal and constitutional rulings? After all, this _is_ a
"And I," said Brock, "am that thing called a minority. I _did_ join
fraternities, picket, pass petitions, take it to court. Year after year I
protested. Everyone laughed. Everyone else _loved_ bus radios and commercials.
_I_ was out of step."
"Then you should have taken it like a good soldier, don't you think? The
"But they went too far. If a little music and 'keeping in touch' was
charming, they figured a lot would be ten times as charming. I went _wild!_ I
got home to find my wife hysterical. _Why?_ Because she had been completely out
of touch with me for half a day. Remember, I did a dance on my wrist radio?
Well, that night I laid plans to murder my house."
"Are you _sure_ that's how you want me to write it down?"
"That's semantically accurate. Kill it dead. It's one of those talking,
singing, humming, weather-reporting, poetry-reading, novel-reciting,
jingle-jangling, rockaby-crooning-when-you-go-to-bed houses. A house that
screams opera to you in the shower and teaches you Spanish in your sleep. One of
those blathering caves where all kinds of electronic Oracles make you feel a
trifle larger than a thimble, with stoves that say, "I'm apricot pie, and I'm
_done_.' or 'I'm prime roast beef, so _haste_ me!' and other nursery gibberish
like that. With beds that rock you to sleep and _shake_ you awake. A house that
_barely_ tolerates humans, I tell you. A front door that barks: 'You've mud on
your feet, sir!' And an electronic vacuum hound that snuffles around after you
from room to room, inhaling every fingernail or ash you drop. Jesus God, _I_
say, Jesus God!"
"Quietly," suggested the psychiatrist.
"Remember that Gilbert and Sullivan song - _I've Got It on My List, It
Never Will Be Missed_? all night I listed grievances. Next morning early I
bought a pistol. I _purposely_ muddied my feet. I stood at our front door. The
front door shrilled, 'Dirty feet, muddy feet! Wipe your feet! Please be _neat_!'
I shot the damn thing in its keyhole. I ran to the kitchen, where the stove was
just whining, 'Turn me _over_!' In the middle of a mechanical omelet I did the
stove to death. Oh, how it sizzled and screamed, 'I'm _shorted_!' Then the
telephone rang like a spoiled brat. I shoved it down the Insinkerator. I must
state here and now I have _nothing_ whatever against the Insinkerator; it was an
innocent bystander. I feel sorry for it now, a practical device indeed, which
never said a word, purred like a sleepy lion most of the time, and digested our
leftovers. I'll have it restored. Then I went in and shot the televisor, that
insidious beast, that Medusa, which freezes a billion people to stone every
night, staring fixedly, that Siren which called and sang and promised so much
and gave, after all, so little, but myself always going back, going back, hoping
and waiting until-bang! Like a headless turkey, gobbling, my wife whooped out
the front door. The police came. Here I _am_!"
He sat back happily and lit a cigarette.
"And did you realize, in committing these crimes, that the wrist radio, the
broadcasting transmitter, the phone, the bus radio, the office intercoms, all
were rented or were someone else's property?"
"I would do it all over again, so help me God."
The psychiatrist sat there in the sunshine of that beatific smile.
"You don't want any further help from the Office of Mental Health? You're
ready to take the consequences?"
"This is only the beginning," said Mr. Brock. "I'm the vanguard of the
small public which is tired of noise and being taken advantage of and pushed
around and yelled at, every moment music, every moment in touch with some voice
somewhere, do this, do that, quick, quick, now here, now there. You'll see. The
revolt begins. My name will go down in history!"
"Mmm." The psychiatrist seemed to be thinking.
"It'll take time, of course. It was all so enchanting at first. The very
_idea_ of these things, the practical uses, was wonderful. They were almost
toys, to be played with, but the people got too involved, went too far, and got
wrapped up in a pattern of social behavior and couldn't get out, couldn't admit
they were _in_, even. So they rationalized their nerves as something else. 'Our
modern age,' they said. 'Conditions,' they said. 'Highstrung,' they said. But
mark my words, the seed has been sown. I got world-wide coverage on TV, radio,
films, _there's_ an irony for you. That was five days ago. A billion people know
about me. Check your financial columns. Any day now. Maybe today. Watch for a
sudden spurt, a rise in sales for French chocolate ice cream!"
"I see," said the psychiatrist.
"Can I go back to my nice private cell now, where I can be alone and quiet
for six months?"
"Yes," said the psychiatrist quietly.
"Don't worry about me," said Mr. Brock, rising. "I'm just going to sit
around for a long time stuffing that nice soft bolt of quiet material in both
"Mmm," said the psychiatrist, going to the door.
"Cheers," said Mr. Brock.
"Yes," said the psychiatrist.
He pressed a code signal on a hidden button, the door opened, he stepped
out, the door shut and locked. Alone, he moved in the offices and corridors. The
first twenty yards of his walk were accompanied by _Tambourine Chinois_. Then it
was _Tzigane_, Bach's _Passacaglia_ and Fugue in something Minor, _Tiger Rag,
Love Is Like a Cigarette_. He took his broken wrist radio from his pocket like a
dead praying mantis. He turned in at his office. A bell sounded, a voice came
out of the ceiling, "Doctor?"
"Just finished with Brock," said the psychiatrist.
"Seems completely disorientated, but convivial. Refuses to accept the
simplest realities of his environment and work _with_ them."
"Indefinite. Left him enjoying a piece of invisible material."
Three phones rang. A duplicate wrist radio in his desk drawer buzzed like a
wounded grasshopper. The intercom flashed a pink light and click-clicked. Three
phones rang. The drawer buzzed. Music blew in through the open door. The
psychiatrist, humming quietly, fitted the new wrist radio to his wrist, flipped
the intercom, talked a moment, picked up one telephone, talked, picked up
another telephone, talked, picked up the third telephone, talked, touched the
wrist-radio button, talked calmly and quietly, his face cool and serene, in the
middle of the music and the lights flashing, the two phones ringing again, and
his hands moving, and his wrist radio buzzing, and the intercoms talking, and
voices speaking from the ceiling. And he went on quietly this way through the
remainder of a cool, air-conditioned, and long afternoon, telephone, wrist
radio, intercom, telephone, wrist radio, intercom, telephone, wrist radio,
intercom, telephone, wrist radio, intercom, telephone, wirst radio, intercom,
telephone, wrist radio...
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