Demiurge-punk logo. Description. Concept

A logo for the cognitive growth process.
I designed the Demiurge-punk logo. It's a stylized axe, a P and D combined. The D is followed by the horizontal inscription "emiurg" and a horizontally tilted trident, like an E.
The axe handle, forming the P, is followed by the horizontal inscription "unk," and below that: Eugen 25 and a circled C. The letters are designed in the style of my signature. This is how I've been signing my illustrations of LeMay heroes, Chaos gladiators, and more since 1996.

This is the logo concept for my genre, my Demiurge-punk. A graphic embodiment of the motto: "High concept, low control."
Sharp, bold, and prickly, just like my writing style. With an abundance of sharp edges, blades, and inner meaning. Can it be made more beautiful? Yes! Should it be made more beautiful?  No!
Having barely acquired the graphic image of a high concept, Demiurge-punk immediately revealed the personification of lost control: "Dunk," a spontaneous fusion of the words "Demiurge" and "Punk." The trident represents the trinity, both temporal and spatial. This is the symbol of the main narrative method and literary device under my author's title: "Three-Part in Six-Dimensional." This means trying to combine "territories of meaning" in any significant fragment: Past, Present, Future. Microcosm, Macroverse, and Reflection. All the while using the tools of Space and Time.  Life - Death
Yav (An anthology of religious concepts, typically from India and China, because theories, finalized long before our era, represent forms of ancient ontological science, not medieval dogmas) Nav (Theoretical constructs from quantum physics, astronomy, and the principles of thermodynamics, with the desired tracking of the latest discoveries in the fields of galaxy formation, neutron stars, wandering black holes, the interactions of time and space recorded by scientists, and the interchangeable processes between particles and waves)

All these are building blocks and objective tools for creating worlds, not the clutter of a quantum physics textbook on the Field of Kurukshetra. As happened in the middle of the last century. The residents of Hiroshima and Nagasaki in those years experienced for themselves where such fantasies lead. I offer a constructive, not a destructive, experience. Although, of course, a "big boom" instead of a "big bang" is inevitable; this is the condition of complex systems.

But by engaging in conscious creation in the context of a doomed complex system, we gain the most important thing – a paradigm of thinking aimed at constructing optimal, balanced, and effective structures. Balancing between the system's attempt to become more complex through improvement and reasonable simplification, cutting away the unnecessary for the sake of stability.

Living closely among the world of fallible Demiurges provides an almost Castaneda-like experience of recapitulating and working through these errors.

 The presence of personified Demiurges in the work isn't simply an anti-Deuce ex Machina; it's the reader's personal responsibility for what's happening—they must choose whose side they will take, in accordance with their nature.

Step by step, without losing their critical and constructive thinking, cognitive training in tracing multilayered spatio-temporal connections is carried out. And it's not easy. But it's also not difficult, for a thoughtful co-demiurge. This is optimal!