Hîâûé ãîä 2026 ñêàçêà OH Áîëüøîé Móðàâåé è Aëüáåðò

Hîâûé ãîä 2026 ñêàçêà - OH - ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ / http://proza.ru/2025/11/22/1452 / Hîâûé ãîä 2026 - ñêàçêà OH - Áîëüøîé Móðàâåé è Aëüáåðò - 2026 

NLA : ÄËß ÐÎÄÈÒÅËÅÉ, ÊÎÒÎÐÛÅ ËÞÁßÒ ×ÈÒÀÒÜ / http://proza.ru/diary/yuri2008/2025-11-21 / - ÄËß ÐÎÄÈÒÅËÅÉ, ÊÎÒÎÐÛÅ ËÞÁßÒ ×ÈÒÀÒÜ : National Library of Australia : 2026

Hîâûé ãîä 2026 ñêàçêà -  ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ / http://proza.ru/2008/05/30/284 / 2026


 2019 Æóðíàëèñòèêà è Òåëåâèäåíèå: Ñïðàâåäëèâûé Äàâèä Ðýíäàëë ( David Randall born 1951 UK ) - óòî÷íèë : " Ãàçåòû - ñîâñåì íå ëèòåðàòóðà. Õîòÿ, áîëüøóþ - ÷àñòü Ëèòåðàòóðû íå íàçîâåøü - Ëèòåðàòóðîé - òàê æå. Ìàòåðèàë â ãàçåòó èíîå, ÷åì íàïèñàòü - ðîìàí èëè ðàññêàç, îäíàêî ðàçíèöà ýòà íå ñòîëü âåëèêà... Õîðîøî íàïèñàííîå : ÿñíî, ëåãêî ÷èòàåìî... íåçàêîñòåíåâøèì ÿçûêîì,êàê è - ïîó÷àåò è ðàçâëåêàåò. Ýòè ñëîâà ïîäõîäÿò - ê õîðîøî íàïèñàííîé ãàçåòíîé ñòàòüå, êàê è ê õîðîøî íàïèñàííîìó ðîìàíó. Îíè òî÷íû äëÿ ëþáîãî ÿçûêà, íà êîòîðîì âû ïèøèòå... " Àíãëèÿ 2004 / ïåðåâîä àâòîðà Þ.Ì.Ðþíòþ: 2019 / United Kingdom UK 2004 / David Randall , Ipswich UK British journalist / Book: The universal journalist - The Great Reporters / Canberra ACT Australia _ Iouri Runtu: French / Þðè Ðþíòþ : Russian / Uri Runtu: English / Media TV Radio Celebrities 2019

 2019 Òåëåâèäåíèå è Æóðíàëèñòèêà : Ëèäåð Ðîññèéñêîé Ìåäèà - Ìèõàèë Ëåîíòüåâ ( Mikhail Leontyev born 1958 Russia ) - ðåçþìèðîâàë : " Æóðíàëèçì - ÿâëÿåòñÿ êâèíòýññåíöèåé èíòåëëèãåíòñêîãî ñîçíàíèÿ, ïîñòðîåííîãî íà ñàìîìíåíèè, ïðåçóìïöèè ìîðàëüíîãî ïðåâîñõîäñòâà è ïðèìèòèâíûõ ìèðîâîççðåí÷åñêèõ êëèøå... " / 2001 Moscow Russia / journalist writer / Ryuntyu, Yuri / born 1949 Russia / Media TV Radio Celebrities / Canberra ACT Australia _ Iouri Runtu: French / Þðè Ðþíòþ : Russian / Uri Runtu: English / 2019

    Hîâûé ãîä 2026 ñêàçêà -  ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ / http://proza.ru/2008/05/30/284 / 2026


Ñåãîäíÿ ß - âñïîìíèë ÷òî - ÂÑÞ ÌÀÒÅÌÀÒÈÊÓ â øêîëå ÿ ñäàë íà âûïóñêíûõ ÝÊÇÀÌÅÍÀÕ íà 5=5=5=5=5= È â ÓÍÈÂÅÐÑÈÒÅÒÅ - ìîÿ ìàòåìàòèêà ïîøëà ñ óñïåõîì íà = 5 =

Çäåñü ìîÿ ' ÍÀÓ×ÍÀß ÑÒÀÒÜß ÏÎ ÒÅÎÐÈÈ ÎÒÍÎÑÈÒÅËÜÍÎÑÒÈ ÀËÜÁÅÐÒÀ ÝÉÍØÒÅÉÍÀ ':
 áåç 5-ðîê ïî ìàòåìàòèêå - òàêîãî íå íàïèñàòü/  AUSTRALIA Yuri Matthew Ryuntyu


Äëÿ Còàðøåêëàññíèêîâ
ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ

Þðè Ì Ðþíòþ
ÄËß ÑÒÀÐØÅÊËÀÑÑÍÈÊÎÂ

2008. Ëèòåðàòóðà Póññêîãî 3àðóáåæüÿ
AUSTRALIA

For Children in Australia

ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ
Þðè Ì Ðþíòþ

2005-2008 Australian Literature for Russian Children

ÏÐÅÄÈÑËÎÂÈÅ

ÇÄÅÑÜ ÄËß ÒÅÕ, ÊÒÎ ËÞÁÈÒ ÄÅÒÅÉ È ÈÕ ÌÈÐ ÈÇ ÏÐÈÊËÞ×ÅÍÈÉ, ÑÒÐÀÍÍÛÕ ÏÐÎÈÑØÅÑÒÂÈÉ È ÓÄÈÂÈÒÅËÜÍÛÕ ÑÎÁÛÒÈÉ. ÇÄÅÑÜ ÍÀØÀ ÆÈÇÍÜ ÄÅÍÜ ÇÀ ÄÍ¨Ì Ñ ÐÀÄÎÑÒßÌÈ, ÎÃÎÐ×ÅÍÈßÌÈ È ÍÎÂÛÌÈ ÇÍÀÍÈßÌÈ. ÓÐÎÊÈ ÌÈËÎÑÅÐÄÈß, ÑÎÑÒÐÀÄÀÍÈß È ËÞÁÂÈ - ÑÒÀËÈ ÓÐÎÊÀÌÈ ÆÈÇÍÈ. ÈÍÎÃÄÀ ÂÇÐÎÑËÛÅ ÍÅ ÇÀÌÅ×ÀÞÒ ÑÀÌÎÃÎ ÃËÀÂÍÎÃÎ ÂÎÊÐÓÃ. ÈÑÒÈÍÀ ÆÅ Î×ÅÍÜ È Î×ÅÍÜ ÏÐÎÑÒÀ. ËÅÃÊÎ ÆÈÒÜ ÍÀ ÑÂÅÒÅ Ñ ÎÒÊÐÛÒÛÌ È ÄÎÁÐÛÌ ÑÅÐÄÖÅÌ. ÝÒÎ ÑÅÊÐÅÒ Ñ×ÀÑÒËÈÂÛÕ ËÞÄÅÉ. ÇÄÅÑÜ ÏÐÈÃËÀØÅÍÈÅ ÄËß ÌÀËÅÍÜÊÈÕ, ÁÎËÜØÈÕ, ÑÀÌÛÕ ÁÎËÜØÈÕ È ÈÕ ÐÎÄÈÒÅËÅÉ Â ÑÊÀÇÊÓ, ÃÄÅ ÂѨ ÏÐÎÈÑÕÎÄÈÒ ÑÀÌÎ ÏÎ ÑÅÁÅ ÁÅÇ ÂÎËØÅÁÍÈÊÎÂ È ÌÀÃÈÉ.


 Hîâûé ãîä 2026 ñêàçêà -  ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ / http://proza.ru/2008/05/30/284 / 2026



ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ


- À, ß ÒÎÆÅ ÌÀÒÅÌÀÒÈÊ È ÓÌÍÛÉ È ÇÀÁÀÂÍÛÉ, ÊÀÊ È ÇÍÀÌÅÍÈÒÛÉ ÝÉÍØÒÅÉÍ ÈÇ ÑØÀ! - ÍÀ×ÀË ÁÅÑÅÄÓ Ñ ÓרÍÛÌ ÒÅÐÌÈÒÍÛÉ ÌÓÐÀÂÅÉ ÈÇ ÀÂÑÒÐÀËÈÈ.

- Ó ÍÀÑ ÎÄÈÍÀÊÎÂÀß ÐÀÁÎÒÀ Â ÝÒÎÌ ÌÈÐÅ, ÌÛ ÍÅ ÅÄÈÌ ÕËÅÁÀ ÇÐß! - ÂÅÆËÈÂÎ ÏÎÄÁÎÄÐÈË ÅÃÎ ÑÎÁÅÑÅÄÍÈÊ.

- ÏÐÎÔÅÑÑÎÐ, ÄÂÈÃÀßÑÜ ÏÎ ÄÐÅÂÅÑÍÛÌ ÒÎÍÍÅËßÌ, ß ÈÑÏÛÒÛÂÀÞ ÎÙÓÙÅÍÈß «ÏÓÒÅØÅÑÒÂÈß ÂÎ ÂÐÅÌÅÍÈ È ÏÐÎÑÒÐÀÍÑÒÂÅ».

ÂѨ ÄÂÈÃÀÞÑÜ È ÄÂÈÃÀÞÑÜ Â ÊÀÊÈÕ-ÒÎ ÖÈËÈÍÄÐÈ×ÅÑÊÈÕ ÔÎÐÌÀÕ.

ÂÅÐÎßÒÍÎ, ÔÎÐÌÀ ÌÎÅÃÎ ÒÅËÀ ÎÏÐÅÄÅËßÅÒ ÔÎÐÌÓ ÌÎÈÕ ÏÐÎÑÒÐÀÍÑÒÂ?

ÎÁÎÐÀ×ÈÂÀÞÑÜ ÍÀÇÀÄ, ß ÒÎÆÅ ÂÈÆÓ ÑÅÁß ÂÍÓÒÐÈ ÁÅÑÊÎÍÅ×ÍÎÃÎ ÖÈËÈÍÄÐÀ ÈËÈ ÒÐÓÁÛ.

ÑÒÐÀÍÍÎ ÝÒÎ ÂѨ… ÊÎÃÄÀ ÂÍÓÒÐÈ ÏÎ ÄÎÐÎÃÅ ÄÂÈÆÅÍÈß.

- ÂѨ  ÍÎÐÌÅ. ÊÀÆÄÀß ÒÎ×ÊÀ ÏÐÈ ÏÅÐÅÄÂÈÆÅÍÈÈ ÇÀÊÓÏÎÐÈÂÀÅÒ ÑÅÁß Â ÖÈËÈÍÄÐÅ, À  ÏÐÎÑÒÐÀÍÑÒÂÅ ÏÐÎÐÈÑÎÂÛÂÀÅÒÑß È ÎÑÒÀ¨ÒÑß - ÏÎÄÎÁÈÅ ÒÂÎÈÕ «ÄÐÅÂÅÑÍÛÕ ÒÎÍÍÅËÅÉ».

ÒÂΨ ÄÂÈÆÅÍÈÅ ÐÀÑØÅÂÅËÈÂÀÅÒ (ÈËÈ ÌÈÊÑÈÐÓÅÒ) ÏÐÎÑÒÐÀÍÑÒÂÎ ÇÀ Ñ×¨Ò ÝÍÅÐÃÈÈ ÄÂÈÆÅÍÈß Ñ (+) ÈËÈ Ñ (-). ÝÍÅÐÃÈß ÒÂÎÅÃÎ ÄÂÈÆÅÍÈß ÓÏËÎÒÍßÅÒ ÑÒÅÍÊÈ ÒÎÍÍÅËÅÉ (ÅÑËÈ ÅÑÒÜ, ×ÒÎ ÒÅÁÅ ÎÒÄÀÒÜ ÍÀÐÓÆÓ).

ÝÍÅÐÃÈß ÒÂÎÅÃÎ ÄÂÈÆÅÍÈß ÐÀÇÆÈÆÀÅÒ ÑÒÅÍÊÈ ÒÎÍÍÅËÅÉ (ÅÑËÈ ÅÑÒÜ, ×ÒÎ ÒÅÁÅ ÏÐÈÍßÒÜ ÂÍÓÒÐÜ). ÝÍÅÐÃÈß ÒÂÎÅÃÎ ÄÂÈÆÅÍÈß, ÅÑËÈ ÐÀÂÍÀß (0), ÒÎ ÑËÈÂÀÅÒÑß Ñ ÏÐÎÑÒÐÀÍÑÒÂÎÌ È, ÇÍÀ×ÈÒ, ÏÐÎÑÒÐÀÍÑÒÂÎ ÒÅÁß ÏÎÃËÎÙÀÅÒ, ÊÀÊ ÑËÅÄÑÒÂÈÅ ÏÎËÍÎÃÎ ÈÑ×ÅÇÍÎÂÅÍÈß ÑÒÅÍÊÈ ÒÎÍÍÅËß (ÒÀÊÎÅ ÍÀÑÒÓÏÀÅÒ Â ÌÎÌÅÍÒ ÎÑÒÀÍÎÂÊÈ).

ÄËß ÎÑÒÀÍÎÂÎÊ ÍÓÆÍÛ ÝÍÅÐÃÅÒÈ×ÅÑÊÈÅ ×ÅËÍÎÊÈ-ÎÑÒÐÎÂÀ, ÂÍÓÒÐÈ ÊÎÒÎÐÛÕ «ÇÀÔÈÊÑÈÐÎÂÀÍÀ ÏÀÌßÒÜ» ÍÀ×ÀËÀ ÄÂÈÆÅÍÈß:

(1) ÑÒÀÐÒÎÂÛÅ ÐÀÇÌÅÐÛ ÌÀÑÑÛ ÒÅËÀ ÏÓÒÅØÅÑÒÂÅÍÍÈÊÎÂ È

(2) ÑÒÀÐÒÎÂÛÅ ÐÀÇÌÅÐÛ ÝÍÅÐÃÅÒÈ×ÅÑÊÎÉ ÌÀÑÑÛ ÏÓÒÅØÅÑÒÂÅÍÍÈÊΠÂÎ ÂÐÅÌÅÍÈ È ÏÐÎÑÒÐÀÍÑÒÂÅ…

ÄÎËÆÍÛ, ÂÍÅ ÑÎÌÍÅÍÈß, ÈÌÅÒÜ ÌÅÑÒÎ (È ÝÒÎ ÌÈÍÈÌÓÌ) - ÄÂÅ ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ ÄËß ËÞÁÎÃÎ ÏÓÒÅØÅÑÒÂÅÍÍÈÊÀ:

ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ (ÎÁÌÅÐÛ ÒШÕÌÅÐÍÎÃÎ ÏÐÎÑÒÐÀÍÑÒÂÀ) È ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ
ÎÁÌÅÐÛ ÝÍÅÐÃÈÈ, ÍÅ ÃÎÐÞ×ÅÃÎ Â ÁÀÊÀÕ ÊÎÑÌÈ×ÅÑÊÎÃÎ ÎÁÚÅÊÒÀ,

À ÂÍÓÒÐÈ ×ÅËÎÂÅ×ÅÑÊÎÃÎ ÒÅËÀ È
ÂÍÓÒÐÈ ÂÑÅÕ ÏÎĘ̀ÍÍÎ ÏÐÅÄÌÅÒΠ ÑÎÑÒÀÂÅ ÊÎÑÌÈ×ÅÑÊÎÃÎ ÎÁÚÅÊÒÀ)…

ÝÒÎ ÄËß ÍÀ×ÀËÀ… È ÄËß ÎÏÐÅÄÅËÅÍÈß ÑÈÑÒÅÌÛ ÊÎÎÐÄÈÍÀÒ,  ÐÀÌÊÀÕ ÊÎÒÎÐÛÕ - ÍÀ×ÈÍÀÅÌ ÎÁÑÓÆÄÀÒÜ ÑÒÀÐÒÎÂÛÉ ÂÎÏÐÎÑ! À, ×ÒÎ Ó ÂÀÑ Â ÃÎËÎÂÅ, ÓÂÀÆÀÅÌÛÉ ÌÓÐÀÂÅÉ, ÍÀ ÝÒÎÒ ÑרÒ?

- À, ÏÎ-ÌÎÅÌÓ, ÅÑÒÜ È ÅÙÅ ÎÄÍÀ ÂÀÆÍÅÉØÀß ÄÅÒÀËÜ Ó ÊÀ×ÅÑÒ ÏÐÎÑÒÐÀÍÑÒÂÀ  «ÌÎÌÅÍÒ ÎÑÒÀÍÎÂÊÈ», È ÇÍÀ×ÈÒ ÐÀÇÐÓØÅÍÈß Ó ÑÒÅÍÊÈ ÊÀÍÀËÀ ÍÀ ÃÐÀÍÈÖÅ «ß - ÏÐÎÑÒÐÀÍÑÒÂλ ÍÅ ÍÀÑÒÓÏÀÅÒ, ÄÀ È, ÂÎÎÁÙÅ, ÈÑÊËÞ×ÅÍÎ.

ÏÎÝÒÎÌÓ ÏÓÒÅØÅÑÒÂÈß ÂÎ ÂÐÅÌÅÍÈ ÈÌÅÞÒ ÌÅÑÒÎ Ó ÖÈÂÈËÈÇÀÖÈÉ Â ÁËÈÆÍÅÌ È ÄÀ˨ÊÎÌ ÊÎÑÌÎÑÅ.

-À, Â ×¨Ì ÆÅ ÇÄÅÑÜ ÏÐÈ×ÈÍÀ, ÓÂÀÆÀÅÌÛÉ ÌÓÐÀÂÅÉ ???

- ÂѨ ÏÐÎÑÒÎ, ÅÑËÈ ß ÍÅ ÏÎÅÌ, ÒÎ, ÄÂÈÃÀßÑÜ ÏÎ ÏÐßÌÎÉ ÁÅÇ ÏÎÏÎËÍÅÍÈß ÇÀÏÀÑΠÝÍÅÐÃÈÈ ÈÇÂÍÅ, ß ÁÓÄÓ ÓÌÅÍÜØÀÒÜÑß È Â ÂÅÑÅ ÌÎÅÃÎ ÒÅËÀ.

ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ (ÎÁÌÅÐÛ ÒШÕÌÅÐÍÎÃÎ ÏÐÎÑÒÐÀÍÑÒÂÀ) ÌÎÅÃÎ ÒÅËÀ ÎÑÒÀ¨ÒÑß ÏÎÑÒÎßÍÍÛÌ, ÎÄÍÀÊÎ, ÍÅÑÎÌÍÅÍÍÎ, ×ÒÎ ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ ÌÎÅÃÎ ÒÅËÀ (ÎÁÌÅÐÛ ÝÍÅÐÃÈÈ, ÍÅ ÃÎÐÞ×ÅÃÎ Â ÁÀÊÀÕ ÊÎÑÌÈ×ÅÑÊÎÃÎ ÎÁÚÅÊÒÀ, À ÂÍÓÒÐÈ ×ÅËÎÂÅ×ÅÑÊÎÃÎ ÒÅËÀ È ÂÍÓÒÐÈ ÂÑÅÕ ÏÐÅÄÌÅÒΠ ÑÎÑÒÀÂÅ ÊÎÑÌÈ×ÅÑÊÎÃÎ ÎÁÚÅÊÒÀ)…

ÍÀ×ÈÍÀÞÒ ÒÅÐßÒÜ ÏÎÑÒÎßÍÑÒÂÎ. Ó ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ (ÊÎÒÎÐÎÉ ÌÀÍÈÏÓËÈÐÓÞÒ ÃÎËÎÂÛ ÂÅËÈÊÈÕ ÔÈÇÈÊÎÂ) ÒÀÊÈÕ ÊÀ×ÅÑÒ ÍÅÒ, È ÎÍÀ ÁÅÇÎ ÂÑßÊÈÕ ÏÐÎÌÅÐÎÂ. ÓÏÓÑÒÈËÈ ÄÂÀ ÔÓÍÄÀÌÅÍÒÀËÜÍÛÕ ÏÎÍßÒÈß:

ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ (ÎÁÌÅÐÛ ÒШÕÌÅÐÍÎÃÎ ÏÐÎÑÒÐÀÍÑÒÂÀ) È ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ (ÎÁÌÅÐÛ ÝÍÅÐÃÈÈ).

 ÈÕ ÃÎËÎÂÀÕ, ÄÂÈÃÀßÑÜ ÁÅÇ ÇÀÒÐÀÒ ÝÍÅÐÃÈÈ, ÝÒÀ ÒÎ×ÊÀ ÍÅ ÔÈÊÑÈÐÓÅÒÑß ÏÐÎÑÒÐÀÍÑÒÂÎÌ (ÍÈ ×ÅÐÅÇ «ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅл, ÍÈ ×ÅÐÅÇ «ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅл).

ÈÕ «ÀÁÑÒÐÀÊÒÍÀß ÒÎ×ÊÀ», ÊÀÊ ÁÛ ÍÈ ÑÓÙÅÑÒÂÓÅÒ Â ÏÐÎÑÒÐÀÍÑÒÂÅ. ÍÀ ÂÑßÊÈÅ ÏÅÐÅÄÂÈÆÅÍÈß ÒÀÊÎÉ ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ (ÁÅÇ ÔÈÇÈ×ÅÑÊÎÃÎ ÐÀÇÌÅÐÀ) È ÏÅÐÅÄÂÈÆÅÍÈß ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ (ÁÅÇ ÝÍÅÐÃÅÒÈ×ÅÑÊÎÃÎ ÐÀÇÌÅÐÀ) ÈÕ ÌÍÈÌÎÅ ÏÐÎÑÒÐÀÍÑÒÂÎ ÍÅ ÐÅÀÃÈÐÓÅÒ.

ÍÅ ÇÍÀß ÐÀÇÌÅÐΠÏÐÎÑÒÐÀÍÑÒÂÀ (ÊÎÎÐÄÈÍÀÒ ÂÑÅËÅÍÍÎÉ), ÈÕ ÇÍÀÍÈß ÇÀÏÈÐÀÞÒ ÏÓÒÅØÅÑÒÂÈß Â ÄÀ˨ÊÈÉ ÊÎÑÌÎÑ ÍÀ ÇÀÌÎÊ.

ÈÕ «ÊÎÑÌÎÑ» ÍÅ ÈÌÅÅÒ ÏÐÈ×ÈÍ,
ÊÎÒÎÐÛÅ - ÎÏÐÅÄÅËßÞÒ ÍÀÏÐÀÂËÅÍÈß ÄÂÈÆÅÍÈß ÂÑÅËÅÍÍÎÉ.

ÈÕ «ÊÎÑÌÎÑ» ÍÅ ÈÌÅÅÒ ÊÎÎÐÄÈÍÀÒ,
ÊÎÒÎÐÛÅ - ÎÒÊÐÛÂÀÞÒ ÍÀÏÐÀÂËÅÍÈß ÄÂÈÆÅÍÈß ÂÑÅËÅÍÍÎÉ.

ÂÑßÊÀß ×ÅÐÍÀß ÄÛÐÀ (ÊÀÊ ÏÐÅÖÅÄÅÍÒ ÈËÈ ÌÀËÛÉ ÑËÓ×ÀÉ, ÐÀÇÌÛØËÅÍÈÉ) ÄËß ÍÈÕ - ÏÐÎÂÀË Â ÏÐÎÑÒÐÀÍÑÒÂÅ, À ÍÀ ÑÀÌÎÌ ÄÅËÅ - ÂѨ ÍÀÎÁÎÐÎÒ.

ÒÀÌ, ÃÄÅ «ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅл È «ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅл ÏÐÎÌÅÐÅÍÛ, ÒÎ ßÂÍÎ - ÌÎÆÍÎ ÂÈÄÅÒÜ ÊÎÍÊÐÅÒÍÎÅ ÍÀÏÐÀÂËÅÍÈÅ ÄÂÈÆÅÍÈß ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ.

×ÅÐÍÀß ÄÛÐÀ - ÈÌÅÅÒ ÌÀËÛÉ «ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅл È ÃÈÃÀÍÒÑÊÈÉ «ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅл.
ÃÀËÀÊÒÈÊÈ - ÈÌÅÞÒ ÃÈÃÀÍÒÑÊÈÉ «ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅл È ÃÈÃÀÍÒÑÊÈÉ «ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅл.

ÔÈÇÈÊÈ: ×ÒÎ ÝÒÎ ÇÍÀ×ÈÒ? ÒÀÊ ËÈ, ×ÒÎ ÍÀ ÌÛÑËÈÌÛÅ È ÍÅÌÛÑËÈÌÛÅ ÏÅÐÅÄÂÈÆÅÍÈß ÀÁÑÒÐÀÊÒÍÎÉ ÒÎ×ÊÈ - ÏÐÎÑÒÐÀÍÑÒÂÎ ÍÅ ÐÅÀÃÈÐÓÅÒ (ÍÅÒ ÍÈÊÀÊÈÕ ÂÈÄÈÌÛÕ ÄËß ÍÀÑ ÈÇÌÅÍÅÍÈÉ)?

ÍÀ×Í¨Ì Ñ ÌÅÍß È «ÑÀÌÎÃÎ ÏÐÎÑÒÎÃλ  ÏÐÎÑÒÐÀÍÑÒÂÅ!

È ÒÀÊ, ÄÂÈÃÀßÑÜ, [ß] ÓÌÅÍÜØÀÞÑÜ ( ÑÈËÓ ÏÅÐÅÂÀÐÈÂÀÍÈß ÏÈÙÈ) È ÓÌÅÍÜØÀÞÑÜ ÝÍÅÐÃÅÒÈ×ÅÑÊÈ (ÂÅÑ ÌÎÅÃÎ ÒÅËÀ ÌÅÍÜØÅ È ÌÅÍÜØÅ ÎÒ ÍÀ×ÀËÀ ÄÂÈÆÅÍÈß), À, ÇÍÀ×ÈÒ, ÂÑßÊÎÅ ÏÅÐÅÄÂÈÆÅÍÈÅ ÆÈÂÎÃÎ ÑÓÙÅÑÒÂÀ ÁÓÄÅÒ ÈÌÅÒÜ ÒÐÅÊÈ ÖÈËÈÍÄÐΠÈËÈ ÒÐÅÊÈ ÒÎÍÍÅËÅÉ Ñ ÇÀÓÆÈÂÀÞÙÈÌÑß ÄÈÀÌÅÒÐÎÌ Â ÍÀÏÐÀÂËÅÍÈÈ ÌÅÑÒÀ ÏÐÈÁÛÒÈß (N-1)/N.

ÒÀÊÈÌ ÎÁÐÀÇÎÌ, [ß] ÍÅ «ÀÁÑÒÐÀÊÒÍÀß ÒÎ×ÊÀ», À [ß = ÔÈÇÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ + ÝÍÅÐÃÅÒÈ×ÅÑÊÈÉ ÐÀÇÌÅÐ].

×ÅÐÅÇ ÒÅËÅÑÊÎÏ-ÑרÒ×ÈÊ ÝÍÅÐÃÎÐÀÑÕÎÄÀ:
ÌÎÉ ÏÓÒÜ ÄÂÈÆÅÍÈß ÔÎÐÌÈÐÓÅÒ ÇÀÓÆÈÂÀÞÙÈÉÑß ÊÎÍÓÑ…

- ÒÛ ÕÎ×ÅØÜ ÑÊÀÇÀÒÜ, ×ÒÎ:

(1). ÑÎÇÄÀÍÈÅ ÍÎÂÎÉ ÒÅÕÍÈÊÈ - ÏÎ ÂÈÇÓÀËÈÇÀÖÈÈ ÒÐÅÊÎÂ ÐÀÇÆÈÆÅÍÈß ÏÐÎÑÒÐÀÍÑÒÂÀ È ÒÐÅÊÎÂ ÓÏËÎÒÍÅÍÈß ÏÐÎÑÒÐÀÍÑÒÂÀ - ÏÎÇÂÎËÈÒ ÓÂÈÄÅÒÜ ÍÀÏÐÀÂËÅÍÈß ÏÅÐÅÄÂÈÆÅÍÈß ÖÈÂÈËÈÇÀÖÈÉ Â ÊÎÑÌÎÑÅ?

- ÄÀ, ÇÀÓÆÅÍÍÀß ×ÀÑÒÜ ÒÐÅÊÀ ÓÊÀÇÛÂÀÅÒ ÍÀ ÖÅËÜ ÏÅÐÅÄÂÈÆÅÍÈß ÈËÈ ÌÅÑÒÎ ÏÐÈÁÛÒÈß. ÍÀÎÁÎÐÎÒ, ÃÄÅ ØÈÐÎÊÀß ×ÀÑÒÜ ÒÐÅÊÀ: ÌÅÑÒÎ ÈÕ ÎÁÈÒÀÍÈß ÈËÈ ÌÅÑÒÎ ÂÐÅÌÅÍÍÎÉ ËÎÊÀËÈÇÀÖÈÈ!

- ÒÛ ÕÎ×ÅØÜ ÑÊÀÇÀÒÜ, ×ÒÎ:

(2). ÇÀÏÀÑ ÝÍÅÐÃÈÈ ÏÎÒÐÅÁËÅÍÈß ÈÇ ÂÍÓÒÐÅÍÍÈÕ ÐÅÑÓÐÑÎÂ -
ÍÅ ÌÎÆÅÒ ÁÛÒÜ ÏÎÏÎËÍÅÍ ÍÀ ÏÓÒÈ ÏÐÎÖÅÑÑÀ ÏÓÒÅØÅÑÒÂÈß ÂÎ ÂÐÅÌÅÍÈ?!

- ÄÀ, ÂÛÉÒÈ ÍÅÂÐÅÄÈÌÛÌ ÏÎÑËÅ ÏÓÒÅØÅÑÒÂÈß ÂÎ ÂÐÅÌÅÍÈ ÌÎÆÍÎ ÏÐÈ ÓÑËÎÂÈÈ, ×ÒÎ ÒÛ ÍÅ ÓÁÀÂÈË Â ÂÅÑÅ…

- ÊÀÊ, ÏÐÅÊÐÀÑÍÎ! ÇÍÀ×ÈÒ ÍÅËÜÇß ÏÐÈÁÛÂÀÒÜ ÍÀÒÎÙÀÊ!!!

- ÈÌÅÍÍÎ, ÒÀÊ ÎÍÎ È ÅÑÒÜ.

- À, ÃÄÅ ÆÅ «ÌÎÆÍÎ ÏÎÅÑÒÜ»… ÍÀ ÏÓÒÈ ÏÐÎÖÅÑÑÀ ÏÓÒÅØÅÑÒÂÈß ÂÎ ÂÐÅÌÅÍÈ?

- ÍÀ ÝÒÎÒ ÂÎÏÐÎÑ ÄÎËÆÍÛ ÎÒÂÅÒÈÒÜ ÒÅ, ÊÎÃÎ ÌÛ ÕÎÒÈÌ ÎÒÑËÅÆÈÂÀÒÜ ÍÀ ÃÐÀÍÈÖÀÕ ÑÎËÍÅ×ÍÎÉ ÑÈÑÒÅÌÛ!

- ÑÅÉ×ÀÑ ËÈØÜ ÖÅËÜ:

ÑÎÇÄÀÍÈÅ ÒÅÕÍÈÊÈ - ÏÎ ÂÈÇÓÀËÈÇÀÖÈÈ ÒÐÅÊÎÂ ÐÀÇÆÈÆÅÍÈß ÏÐÎÑÒÐÀÍÑÒÂÀ È ÒÐÅÊÎÂ ÓÏËÎÒÍÅÍÈß ÏÐÎÑÒÐÀÍÑÒÂÀ.

- ÝÒÎ ÌÃÍÎÂÅÍÍÎ ÇÀÔÈÊÑÈÐÓÅÒ ÂÑÅ ÍÀÏÐÀÂËÅÍÈß ÏÅÐÅÄÂÈÆÅÍÈÉ ÑÎÑÅÄÍÈÕ ÖÈÂÈËÈÇÀÖÈÉ Â ÊÎÑÌÎÑÅ?

- È ÍÅ ÒÎËÜÊÎ! ÃËÀÂÍÎÅ, ×ÒÎ ÝÒÎ ÍÀ×Í¨Ò ÝÏÎÕÓ ÑÒÀÒÈÑÒÈÊÈ ÏÎÈÑÊÀ ÄÐÓÆÅÑÒÂÅÍÍÛÕ ÈËÈ ÍÅÄÐÓÆÅÑÒÂÅÍÍÛÕ ÑÎÑÅÄÅÉ.

- ÍÀÏÎÌÍÞ ÒÅÁÅ, ×ÒÎ ÌÛ ÆÈÂÅÌ Â ÃÈÃÀÍÒÑÊÎÉ ÀÒÌÎÑÔÅÐÅ ÝÍÅÐÃΨÌÊÎÃÎ ÌÎËÅÊÓËßÐÍÎÃÎ ÊÈÑËÎÐÎÄÀ È ÎÊÐÓÆÅÍÛ ÃËÎÁÀËÜÍÛÌÈ ÂÎÄÍÛÌÈ ÎÊÅÀÍÀÌÈ ÂÎÄÎÐÎÄÀ, ÒÀÊ ÁÅÑÊÎÍÅ×ÍÎ ÐÅÄÊÈÌÈ Â ÊÎÑÌÎÑÅ.

ÍÀØÈ ÑÎÊÐÎÂÈÙÀ ÍÀÄÎ ÎÁÅÐÅÃÀÒÜ ÎÒ ÏÎÑÒÎÐÎÍÍÈÕ,
È ÏÎÐÀ ÍÀ×ÀÒÜ ÎÒÊÀÇÛÂÀÒÜ Â ÈÕ ÐÀÇÁÎÉÍÎÉ ÒÐÀÍÑÏÎÐÒÈÐÎÂÊÅ ÍÀ ÄÐÓÃÈÅ ÏËÀÍÅÒÛ.

ËÀÊÎÌÀß ÏËÀÍÅÒÀ ÄÎËÆÍÀ ÁÛÒÜ ÙÅÄÐÎÉ ÈÇÁÈÐÀÒÅËÜÍÎ È -
ÊÐÀÉÍÅ ÎÑÌÎÒÐÈÒÅËÜÍÀ Ê ÏÎÑÒÎÐÎÍÍÈÌ ÈÇÂÍÅ.

- ß ÏÎÍßË, ÎÒÊÐÛ ÈÍÑÒÐÓÌÅÍÒÛ ÝÍÅÐÃÅÒÈ×ÅÑÊÎÉ ÂÈÇÓÀËÈÇÀÖÈÈ ÏÐÎÑÒÐÀÍÑÒÂÀ - ÌÛ ÑÒÀÍÎÂÈÌÑß ÁÎÃÀ×ÀÌÈ ÂÎ ÂÑÅËÅÍÍÎÉ!!!

- ÄÀ, ÌÛ ÏÎ×ÒÈ ÑÏÎÑÎÁÍÛ ÂÛÒÎÐÃÎÂÛÂÀÒÜ - ÒÅÕÍÈÊÓ ÏÓÒÅØÅÑÒÂÈÉ ÂÎ ÂÐÅÌÅÍÈ È ÏÐÎÑÒÐÀÍÑÒÂÅ - Ó ÑÎÑÅÄÅÉ ÏÎ ÊÎÑÌÎÑÓ.

- ÏÎÑÒÀÂÈÂ ÒÀÊÎÉ ÂÎÏÐÎÑ È ÒÀÊÓÞ ÖÅËÜ:
ÌÛ ÏÐÎÄÂÈÍÅÌ ÇÅÌÍÓÞ ÖÈÂÈËÈÇÀÖÈÞ ËÞÄÅÉ ÇÀ ÏÐÅÄÅËÛ 100 000 000 000 ÃÀËÀÊÒÈÊ Â ÎÄÍÎ×ÀÑÜÅ.

- À ÍÀ×ÀËÎÑÜ ÂѨ Ñ ÒÅÐÌÈÒÍÛÕ ÒÎÍÍÅËÅÉ Â ÌÓÐÀÂÅÉÍÈÊÅ? ÕÎÐÎØÎ ÏÎÃÎÂÎÐÈËÈ, - ÑÊÀÇÀË ÎÄÈÍ.

- ÕÎÐÎØÎ ÏÎÃÎÂÎÐÈËÈ, - ÏÎØ¨Ë ÈÃÐÀÒÜ ÍÀ ÑÊÐÈÏÊÅ ÄÐÓÃÎÉ.

ÌÀËÛØ, ÏÎÄÓÌÀÉ Î ÑÂÎ¨Ì ÌÅÑÒÅ Â ÆÈÇÍÈ,
ÂÎÒ È ÖÅËÜ ÄËß ÒÂÎÈÕ ÍÀÓ×ÍÛÕ ÐÀÁÎÒ Â ÓÍÈÂÅÐÑÈÒÅÒÅ!

ÏÎÆÀËÓÉ, ÝÒÎ ÇÀÁÀÂÍÎ? ÇÀÁÀÂÍÎ, ÈÇÓ×ÀÒÜ ÃÀËÀÊÒÈÊÈ È ÊÎÑÌÎÑ.

-  ÏÐÎ×ÅÌ, ÕÌ-ÃÌ-ÕÌ-ÕÌ….

À, ×ÒÎ ÎÁ ÝÒÎÌ ÄÓÌÀÞÒ ÍÀØ ÂÅËÈÊÈÉ ÑÊÀÇÎ×ÍÈÊ ÊÝÐÐÎËË È ÑÀÌÀß ÇÍÀÌÅÍÈÒÀß ÀÍÃËÈÉÑÊÀß ÏÓÒÅØÅÑÒÂÅÍÍÈÖÀ È ÊÐÎØÊÀ ÀËÈÑÀ ÈÇ ÑÂÎÅÉ «ÑÒÐÀÍÛ ×ÓÄÅÑ»?

ÊÀÆÄÛÉ ÏÎÌÍÈÒ, ÈÕ ÑÊÀÇÊÀÌ ÁÎËÅÅ 100 ËÅÒ, È ÂѨ ÒÀÌ Î «ÒÅÎÐÈÈ ÎÒÍÎÑÈÒÅËÜÍÎÑÒÈ ÊÎÎÐÄÈÍÀÒ ÏÐÎÑÒÐÀÍÑÒÂÀ È ÌÅÐ ÈÇÌÅÐÅÍÈß ÝÍÅÐÃÈÈ»…
ÂÎÒ ÆÅ, ÎÍÈ ÐßÄÎÌ!

- ÑÌÎÒÐÈ, ÊÀÊ ÓÞÒÍÎ ÑÈÄßÒ ÎÍÈ ÇÀ ÑÎÑÅÄÍÈÌ ÑÒÎËÈÊÎÌ ÊÀÔÅ È ËÀÊÎÌßÒÑß ÂÀÍÈËÜÍÛÌ ØÎÊÎËÀÄÎÌ, ÎÊÓÍÀß ÁÅËÛÅ ËÎÌÒÈÊÈ Â ÒÅÏËÎÅ ÏÅÍÈÑÒÎÅ ÌÎËÎÊÎ,- ÑÊÀÇÀË ÌÓÐÀÂÅÉ, ÍÀ×À ÑÎÁÈÐÀÒÜ ÊÐÎØÊÈ È ÂÑßÊÈÅ ÂÊÓÑÍÎÑÒÈ ÏÎÄ ÂÑÅÌÈ ÑÒÎËÈÊÀÌÈ.

ÌÀËÛØÓ ÍÐÀÂÈËÎÑÜ ÝÒÎ ÇÀÍßÒÈÅ ÁÎËÜØÅ ÂÑÅÃÎ ÍÀ ÑÂÅÒÅ È ÎÍ, Â ÌÃÍÎÂÅÍÈß ÎÊÀ,
ÇÀÁÛË Î ÊÎÑÌÎÑÅ, È ÎÁ ÀËÜÁÅÐÒÅ ÝÉÍØÒÅÉÍÅ. ÔÈÇÈÊÀ È ÌÀÒÅÌÀÒÈÊÀ ÁÛËÈ ÅÃÎ ÈÃÐÀÌÈ,
È ÎÍ ÍÅ ÄÅËÀË ÈÇ ÍÈÕ ÖÅËÜ ÑÂÎÅÉ ÆÈÇÍÈ È ÊÀÆÄÎÄÍÅÂÍÛÕ ÇÀÁÎÒ È ÎÃÎÐ×ÅÍÈÉ.

Would you like to hear another story from the collection? There’s one about a vegetarian cat that’s surprisingly philosophical!
Uri Runtu’s fairy tale collections are brimming with imaginative and emotionally rich stories, often dedicated to members of the Kirkorov family. Here are some standout tales from his books:

Featured Stories from “Þðè Ðþíòþ : 44 Ñêàçêè” Series

• “Þðè Ðþíòþ : Çâ¸çäû-Õîõîòóøêè” (The Giggling Stars) A whimsical tale where stars laugh so loudly they wake up the moon. It’s a bedtime story that celebrates joy and cosmic wonder.
• “Þðè Ðþíòþ : Ñåðàÿ Êëàðèññà” (Grey Clarissa) A mysterious girl with grey eyes who teaches children about empathy and seeing beauty in the overlooked.
• “Þðè Ðþíòþ : Ãóñåíèöà è Ðîçà” (The Caterpillar and the Rose) A poetic transformation story about patience, growth, and the magic of becoming.
• “Þðè Ðþíòþ : Ïàìÿòíèê Ñîáàêå” (Monument to a Dog) A tribute to loyalty and friendship, where a town honors a heroic dog with a statue.
• “Þðè Ðþíòþ : Ìóìà íà Âåëîñèïåäå” (Muma on a Bicycle) A quirky grandmother who rides through town spreading kindness and cookies.
• “Þðè Ðþíòþ : Âàñèëüêîâûå Ãëàçà” (Cornflower Eyes) A lyrical tale about a child whose eyes reflect the sky and whose heart heals others.
• “Þðè Ðþíòþ : Ñòàêàí Ìîëîêà èç Èíäèè” (A Glass of Milk from India) A philosophical story about generosity, cultural exchange, and the warmth of sharing.
• “Þðè Ðþíòþ : Áóëî÷êè è Ñëàäîñòè è Êîíôåòû è Äåòè” (Buns and Sweets and Candies and Children) A sugar-sprinkled adventure that teaches moderation and the joy of celebration.

These stories are written in Russian and often include dedications to Martin, Victoria, or Philipp Kirkorov. They’re poetic, metaphorical, and full of heart—perfect for children and adults alike who appreciate tales with soul.



NLA : / http://proza.ru/diary/yuri2008/2025-11-21 / - ÄËß ÐÎÄÈÒÅËÅÉ, ÊÎÒÎÐÛÅ ËÞÁßÒ ×ÈÒÀÒÜ : / http://stihi.ru/diary/yuri2005/2025-11-21 / - National Library of Australia :
-
2025 - ÑÒÈÕÈ / http://proza.ru/diary/yuri2008/2025-11-20/ :


Æèâè Ëþáè Ðîæàé è Áóäü Ñîáîé : /
http://proza.ru/2021/06/03/1366 / 2021


ÑÒÈÕÎÒÂÎÐÅÍÈÅ : Çàäóé ÑÂÅ×Ó. Ñìîòðè íà ÇÂÅÇÄÛ : /
http://proza.ru/2021/06/03/1253 / 2021


ÑÒÈÕÎÒÂÎÐÅÍÈÅ : Ëþáîâü – Ìå÷òû – Íàäåæäû è Ïîòåðè : /
http://proza.ru/2021/06/03/1277 / 2021


ÑÒÈÕÎÒÂÎÐÅÍÈÅ : Ìîèõ Âðàãîâ, Äðóçåé, Ïîäðóã è Æåí: /
http://proza.ru/2021/06/03/174 / 2021


ÑÒÈÕÎÒÂÎÐÅÍÈÅ : Èç Ñëåç Ñòðàäàíèé è Íåñ÷àñòèé : /
http://proza.ru/2021/06/03/182 / 2021


ÑÒÈÕÎÒÂÎÐÅÍÈÅ : Çàêðûë Ãëàçà íàñòàëà â Çâåçäàõ Íî÷ü : /
http://proza.ru/2021/06/03/193 / 2021



Ðîññèÿíe: " Aêàäåìèê Þðèé Ðþíòþ - / http://proza.ru/2025/04/23/151 / - ïèñàòåëü, ïîýò, äðàìàòóðã, èñòîðèê áàëåòà, æóðíàëèñò-áèîãðàô èçâåñòíûõ ëè÷íîñòåé, è êðèòèê, êîòîðûé çíà÷èòåëüíî ïîâëèÿë íà ðàçëè÷íûå ëèòåðàòóðíûå è õóäîæåñòâåííûå îáëàñòè. Îí ÿâëÿåòñÿ îñíîâàòåëåì íåî-òðàíñöåíäåíòàëüíîãî òåàòðà Aâñòðàëèè è èçâåñòåí ñâîèìè ðàáîòàìè, êîòîðûå èññëåäóþò êóëüòóðíûå è èñòîðè÷åñêèå òåìû. Hà ñàéòå - proza.ru: Ïðîçà.ðó - âû ìîæåòå íàéòè ïðîôèëü àâòîðà è îçíàêîìèòüñÿ ñ ïðîèçâåäåíèÿìè, êîòîðûå îòðàæàþò åãî óíèêàëüíûé ñòèëü è ïîäõîä ê ëèòåðàòóðå. Òåàòðàëüíàÿ Äðàìàòóðãèÿ: 10-òü Ïüåñ : Ðóññêî-ÿçû÷íàÿ Êóëüòóðà Äàëüíåãî Çàðóáåæüÿ Ðîññèè: Àâñòðàëèÿ XX - XXI âåê ": Cite: APA _ MLA _ Australian / Princeton / Stanford / Harvard _ Wikipedia {{Citation via=National Library of Australia}}


Ðîññèÿíe: " ß - Póññêèé, è ÿ - ñêîðåå óìðó, ÷åì ñòàíó: ÷üèì-òî àêòèâîì... ": Ïàâåë Äóðîâ / NB: íèæåñòîÿùèì, ïîä÷èíÿþùèìñÿ, âòîðîñòåïåííûì, íåñàìîñòîÿòåëüíûì, ñåáå íå õîçÿèíoì, íåîñíîâíûì, ïîäìÿòûì, ïîêîðåííûì, ñåáå íå ãîñïîäèíoì. Èíòåëëåêòóàëüíàÿ Ýëèòà Äåìîêðàòè÷åñêîé Ðîññèè: Human Rights Foundation _ HRF: Ôîðóì ñâîáîäû _ / http://proza.ru/2025/04/23/151 / - Îñëî 2025


photo: ÑØÀ - Äîìà Òàéìñ-ñêâåð çàâòðàê Ìàíõýòòåí Íüþ-Éîðê ÑØÀ - / http://proza.ru/2025/04/23/154 /- ðàññêàçû,
photo: ÑØÀ - Äðóã Bðà÷ Òàéìñ-ñêâåð Ìàíõýòòåí Íüþ-Éîðê / http://proza.ru/2025/04/23/132 / - ÑØÀ - ðàññêàçû,
photo: ÑØÀ - Äîìà Òàéìñ-ñêâåð óæèí / http://proza.ru/2025/04/23/151 / Ìàíõýòòåí Íüþ-Éîðê ÑØÀ - ðàññêàçû,
photo: Àâñòðàëèÿ - ÄÎÌA - 1 èþíÿ -2C ñíåã B ÌÎÅÌ ÄÎÌÅ òåïëî Kàíáåððà ñòîëèöa - ðàññêàçû, / http://proza.ru/2025/05/31/1043 / 2025


Ñëàâÿíe: À. Ñîëæåíèöûí: Ñåìåéíûå òðàäèöèè: Audax at Fidelis - Ðîññèÿíe - Oò àâòîðà êíèã: ÿ æèâó ñèëàìè, ÷òî ïðèäàåò ìîëèòâà, ñîáðàííàÿ èç ñëîâ ðóññêîé ïðàâîñëàâíîé ðå÷è - Âåëèêîãî Ðîññèÿíèíà è Õðèñòèàíèíà À. È. Ñîëæåíèöûíà: " Êàê ëåãêî ìíå æèòü ñ Òîáîé, Ãîñïîäè! Êàê ëåãêî ìíå âåðèòü â Òåáÿ! Êîãäà ðàññòóïàåòñÿ â íåäîóìåíèè èëè ñíèêàåò óì ìîé. Êîãäà óìíåéøèå ëþäè íå âèäÿò äàëüøå ñåãîäíÿøíåãî âå÷åðà è íå çíàþò, ÷òî íàäî ñäåëàòü çàâòðà. Òû ñíèñûëàåøü ìíå ÿñíóþ óâåðåííîñòü, ÷òî Òû åñòü è ÷òî Òû ïîçàáîòèøüñÿ, ÷òîáû íå âñå ïóòè äîáðà áûëè çàêðûòû... Ïðèíñòîíñêèé óíèâåðñèòåò: Princeton University: 1980... ": / http://proza.ru/2023/07/26/128 / 19fortyfive: Håî-òðàíñöåíäåíòàëüíûé òåàòð Àâñòðàëèè: OT àâòîðà êíèã Þðè Ðþíòþ: Canberra ACT: Russia: Ñëàâÿíe - êíèãè: National Library of Australia: Contemporary Russian Prose: 2025-2005


Uri Runtu is an influential Australian writer and ballet critic known for his extensive contributions to literature and the arts, particularly in the realm of ballet.


Background


Uri Matthew Runtu, also known as Yuri Ryuntyu, was born in Russia in 1949 and moved to Australia in 1980. He has established himself as a significant figure in the arts, contributing to various literary and cultural discussions through his writings and critiques.


Ïðîçà.ðó


Contributions to Ballet Criticism
Runtu has authored numerous works that explore significant figures in Russian ballet, including notable dancers like Rudolf Nureyev and Galina Ulanova. His writings often reflect a deep engagement with both historical and contemporary cultural narratives, making him a prominent voice in ballet criticism.


Ïðîçà.ðó - Notable Works


Some of Runtu's notable works include critical essays and plays that address various aspects of ballet and its cultural significance. He has published over 60 books on literary and cultural criticism, which encompass a wide range of topics, including ballet, poetry, and literature. His critical essays often highlight the artistic contributions of ballet dancers and the evolution of ballet as an art form.


Ñòèõè.ðó - Personal Connection to Ballet


Runtu's personal experiences in the ballet world are also noteworthy. He served as a personal secretary to Rudolf Nureyev, one of the most celebrated ballet dancers of the 20th century. This role provided him with unique insights into the life and artistry of Nureyev, further enriching his critiques and writings on ballet


Ïðîçà.ðó


In summary, Uri Runtu's work as a ballet critic is characterized by his extensive literary contributions, personal experiences within the ballet community, and a profound understanding of the cultural significance of ballet in both Russian and Australian contexts. His critiques continue to influence the artistic landscape, making him a significant figure in contemporary ballet criticism.


If you are curious about Yuri Ryuntyu's writings ? / http://proza.ru/2024/03/17/1291 / SUL : Stanford University : Library / http://searchworks.stanford.edu/view/8597478 / Stanford, USA 2024


Ðîññèÿíe: àêàäåìèê Ðþíòþ Þðèé - / http://proza.ru/2025/04/23/151 / -Aâñòðàëèéñêèé ïèñàòåëü, æóðíàëèñò è êðèòèê, êîòîðûé çíà÷èòåëüíî ïîâëèÿë íà ðàçëè÷íûå ëèòåðàòóðíûå è õóäîæåñòâåííûå îáëàñòè. Îí ÿâëÿåòñÿ îñíîâàòåëåì íåî-òðàíñöåíäåíòàëüíîãî òåàòðà Aâñòðàëèè è èçâåñòåí ñâîèìè ðàáîòàìè, êîòîðûå èññëåäóþò êóëüòóðíûå è èñòîðè÷åñêèå òåìû. Íà ñàéòå - proza.ru: Ïðîçà.ðó - âû ìîæåòå íàéòè åãî ïðîôèëü è îçíàêîìèòüñÿ ñ åãî ïðîèçâåäåíèÿìè, êîòîðûå îòðàæàþò åãî óíèêàëüíûé ñòèëü è ïîäõîä ê ëèòåðàòóðå. Òåàòðàëüíàÿ Äðàìàòóðãèÿ: Ðóññêî-ÿçû÷íàÿ Êóëüòóðà Äàëüíåãî Çàðóáåæüÿ Ðîññèè: Àâñòðàëèÿ XX - XXI âåê : Cite: APA _ MLA _ Australian/Harvard _ Wikipedia {{Citation via=National Library of Australia}}


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NLA : / http://proza.ru/diary/yuri2008/2025-11-21 / - ÄËß ÐÎÄÈÒÅËÅÉ, ÊÎÒÎÐÛÅ ËÞÁßÒ ×ÈÒÀÒÜ : / http://stihi.ru/diary/yuri2005/2025-11-21 / - National Library of Australia :


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35. ÁÎËÜØÎÉ ÌÓÐÀÂÅÉ È ÀËÜÁÅÐÒ ÝÉÍØÒÅÉÍ / http://proza.ru/2008/05/30/284 /
36. ÓËÈÒÊÀ È ÏÀÐÎÕÎÄ / http://proza.ru/2008/05/25/81 /
37. ÊÎÒ ÍÀ ÖÅÏÈ È ÀËÅÊÑÀÍÄÐ ÏÓØÊÈÍ / http://proza.ru/2021/07/05/1156 /
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39. ÑÒÀÐÈÊ È ÇÅÐÊÀËÎ / http://proza.ru/diary/yuri2008/2021-07-11 /
40. ÌÀËÈÍÎÂÛÉ ÏÎÄÀÐÎÊ / http://proza.ru/2020/03/03/1315 /
41. ËßÃÓØÊÀ ÍÀ ÑÒÅÍÅ / http://proza.ru/2024/04/04/749 /
42. ÌÓ-ÌÓ ÍÀ ÏÀÐÀØÞÒÅ : / http://proza.ru/2024/04/04/785 /


Àâñòðàëèÿ - Iouri Runtu: French : Rudolf Noureev : La Mort a Paris / Þðè Ðþíòþ : Russian / Uri Runtu: English / Canberra ACT Australia